In Conversation with Don McCullin: Shaped By War

The Imperial War Museum North is currently hosting the mind blowing retrospective exhibition Shaped by War: Photographs by Don McCullin spanning his lengthy 50+ year career. Considered one of the most prolific photographers of conflict, the exhibition contains more than 200 photographs along with video interviews and objects including the Nikon camera that stopped a bullet, his US army issue helmet along side numerous visas and assignment letters. The exhibition charts McCullin's career - from the East End Gangsters and the Turkish invasion of Cyprus to the Vietnam War and Northern Ireland conflict.
Don McCullin’s first published photograph: The Guv’nors of Seven Sisters Road, London,1958. Photograph © Don McCullin
A distraught woman flees the village of Gazabaran with her family after the killing of her husband, Cyprus 1964.Photograph © Don McCullin

Along side the exhibit the museum also hosted a talk in March: in Conversation with Don McCullin. Fluctuating sound levels coupled with screeching microphones meant we missed the first few questions. But aside from technical difficulties it was a really enlightening and deeply honest interview. The overall impression of McCullin is of a very sombre and despondent man. He has obviously been deeply affected by what he has experienced and photographed over the years and this sadness carries over into his more recent landscape photography. For me the most surprising comment of the evening was from McCullin on how he looks back over his lifetimes work and feels it meant nothing, as it changed nothing (ie didn't help stop the wars), and I (like I suspect a lot of people) disagree - whilst his photographs may not have forced politicians into action, I think he has certainly influenced and affected, we the general populous. Certainly I think photography in the media was a strong factor in my joining the protests against the Iraq war in 2001. I think war photography was more in your face, in the danger than the tea time television correspondents ever were. So I think he really does under estimate the power of his work.
Back on topic though, as I mentioned earlier McCullin also talked about his landscape work towards the end of the interview - black and white stark winter landscapes that evoke the same sense of sorrow you get from his photographs of war and from the man himself. Dark, yet not depressing the way some landscapes can be, he has been quoted as saying ‘My landscapes have become a form of meditation. They have healed a lot of my pain and guilt.’
Iron Age fort in the snow, Somerset, 1992.Photograph © Don McCullin

Shaped by War is on display at the Imperial War Museum North until 13th June 2010, an accompanying book Don McCullin - Shaped By War is also available in the Gift Shop.

London Again... Part II

On Easter Sunday we decided to do some touristy type stuff - first stop Monument to the Great Fire of London.

A staggering 202 feet tall with 311 steps taking you to the top, you climb the narrow spiral staircase which runs inside, and when I say narrow, i mean backs against the wall whilst passing people going the other way!
It was well worth the effort (as the steps are harder work than you would think) with amazing views over the city, even though visibility was limited we got some decent photos.
After waving at Ant (who was waiting at the bottom) and snapping as far as the eye could see, we started our decent back down the spiral staircase, this invoked my mild vertigo and it took a wee bit longer to get back down
Once at the bottom we were presented with a certificate congratulating us for climbing the stairs! Here's Jen with hers
After that we headed up towards Camden, which was absolutely rammed with people (more so than usual) making the walk up the main street to the market quite arduous.
Once there we checked out the Proud Gallery which was showing two photography exhibitions, one of AC/DC and one of Withnail & I, there were also some live acoustic acts playing as well. We also stopped in the bar there for some much needed refreshments, before heading back out into the throngs of shoppers and into the markets to find some lunch.
We ended the day by meeting Danielle and her Fiancé for drinks, choosing the wetherspoons pub for it's cheap drinks, room to sit down and cleanliness! We had visited the World's End, but after waiting about 15 minutes to be served, being charged a stupid amount even by London standards for a pint, then sitting at tables covered in pots and food that the staff kept on walking past we left.

Easter Monday we a tootle down Oxford Street and bought a few obligatory souvenirs for family then left for the sanctuary of St Pancras for the train home!

Photographic Portrait Prize 2007 - The Lowry

I went to the Lowry Centre today to catch the Photographic Portrait exhibition, which closes this weekend. And whilst I found it quite enjoyable I do have mixed feelings over whether I enjoyed the exhibition or not, maybe it was my own fault for expecting something slightly grittier than what I saw, my preconceptions being led in particular by this photograph

Portrait Prize winner Joseline Ingabire with her daughter Leah Batamuliza, Rwanda, from the series Intended Consequences: Mothers of Genocide, Children of Rape, by Jonathan Torgovnik © the artist.
I suppose I was expecting portraits that told a story about the subject, but I found many were simply portraits of children who were in some way related to the photographer, that appeared to have been used for the photo as they were readily available.. or again, maybe I read too much/too little from the snippet of information on the descriptions.
The photos I did find very striking included Alex Hurricane Higgins by Michael Donald (albeit displayed in a rather odd position in the gallery) and Alice & Fish By David Stewart. A small sample of the finalists can be found on the National Portrait Gallery website.